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Potencialidades e limitações do uso da fotografia na pesquisa qualitativa de enfermagem; Photography in nursing qualitative research: potentials and limitations

Sartorio, Natalia de Araujo
Fonte: Biblioteca Digitais de Teses e Dissertações da USP Publicador: Biblioteca Digitais de Teses e Dissertações da USP
Tipo: Dissertação de Mestrado Formato: application/pdf
Publicado em 06/06/2011 PT
Relevância na Pesquisa
37.09%
A tradição do uso da fotografia na pesquisa social remonta ao século XIX, com os primeiros trabalhos da Antropologia que usaram-na para registrar costumes e tradições de povos considerados exóticos. A seguir, a Sociologia, a História e a Psicologia, dentre outras disciplinas se interessaram pelo uso da foto para o registro do real e, também, como auxiliar na obtenção de dados subjetivos. Os objetivos do presente trabalho foram identificar o uso que vem sendo feito da fotografia na pesquisa qualitativa na enfermagem e sintetizar as potencialidades e limites desse uso. Procedeu-se a uma Revisão Sistemática de Literatura e Metassíntese de estudos primários que fossem pesquisas qualitativas, feitas por enfermeiras ou que tivessem a Enfermagem como objeto e que registrassem o uso da fotografia em algum momento de seu método. Os termos para a busca foram: Fotografia, Pesquisa Qualitativa e Enfermagem. As bases de dados pesquisadas incluíram: PubMed, CINAHL, EMBASE, PsycInfo, Scopus, ISI, BVS, Scielo. Não houve limite de tempo de publicação. A amostra final incluiu 31 artigos. Os resultados apontaram o uso da fotografia nos métodos: Photovoice, Foto-Elicitação, Etnografias e Mistos. As potencialidades foram: Emancipação dos sujeitos; Dar voz a grupos vulneráveis; Melhor compreensão da situação do sujeito; Registro detalhado do real...

O novo mundo do espaço: Le Corbusier e o papel da fotografia na mediação entre o público e a arquitetura; New world of space: Le Corbusier and the role of photography in the mediation between the audience and architecture

Figueiredo, Fernando Stankuns de Paula
Fonte: Biblioteca Digitais de Teses e Dissertações da USP Publicador: Biblioteca Digitais de Teses e Dissertações da USP
Tipo: Dissertação de Mestrado Formato: application/pdf
Publicado em 04/10/2012 PT
Relevância na Pesquisa
37.02%
O foco principal desta dissertação é o estudo da relação entre arquitetura e fotografia, tendo como premissa o fato de que o registro fotográfico nunca é neutro e sempre apresenta uma versão particular sobre aquilo que registra. A pesquisa trata especificamente da exposição Le Corbusier - Novo Mundo do Espaço (New World of Space), organizada pelo The Institute of Contemporary Art de Boston (ICA) em 1948 e realizada também no MASP em 1950, com utilização de muitas fotografias. Buscamos contribuir para o estudo do papel da fotografia na mediação entre o público e a arquitetura nos museus modernos, espaço de difusão e afirmação de ideias no campo da arquitetura e cultura modernas. O arquiteto franco-suíço Le Corbusier, cuja obra foi apresentada na exposição estudada, é considerado um dos maiores protagonistas do modernismo. Expoente da arquitetura moderna, era também um grande conhecedor da fotografia. O arquivo histórico do MASP e o acervo do Instituto Lina Bo e Pietro Maria Bardi forneceram as principais fontes para enfrentar o tema da pesquisa e especificamente da exposição, cuja descrição minuciosa e análise constam desta dissertação. As perguntas que nortearam esse estudo foram: qual é o valor que a fotografia assume nas exposições de arquitetura? Será que ela pretende trazer a realidade na forma de documento ou seria uma (re)interpretação dos que nos é apresentado pelos arquitetos em seus projetos? As fotografias são apresentadas a partir de seu valor artístico ou informativo? E qual seria a relação das fotografias com os outros elementos da exposição...

Além do visível: a fotografia e a óptica da psicanálise; Beyond the Visible: the photography and the optics of psychoanalysis

Patrasso, Rahel
Fonte: Biblioteca Digitais de Teses e Dissertações da USP Publicador: Biblioteca Digitais de Teses e Dissertações da USP
Tipo: Dissertação de Mestrado Formato: application/pdf
Publicado em 13/12/2012 PT
Relevância na Pesquisa
37.02%
Desde a invenção da fotografia discute-se o caráter de realidade e de verdade contido nas imagens. Retomaremos tal discussão, partindo da afirmação de Benjamin (1985) de que o que se impõe à câmera não é o mesmo que pode ser apreendido pela visão; neste sentido, só a fotografia revela este inconsciente óptico, como só a psicanálise revela este inconsciente pulsional. Apostamos, de acordo com Benjamim (1985), que a fotografia não só revela alguns aspetos deste inconsciente óptico, mas como linguagem, de acordo com Lacan (1953/54), está submetida aos mesmos princípios descritos pela psicanálise. Propusemos, então, uma interlocução entre fotografia e psicanálise, a partir do que chamamos de a óptica da psicanálise, anunciada por Freud desde sua Interpretação dos Sonhos (1900), e dos conceitos do registro do Imaginário, Simbólico e Real de Lacan. Tais conceitos percorridos por nós objetivaram desvendar a tensão entre realidade, ficção e verdade na fotografia. Para tanto, nos debruçamos sobre a polêmica entorno da fotografia do fotográfo sul\africano Kevin Carter ganhadora do premio Pulitzer de 1994. Entendemos que a fotografia...

A legitimação da fotografia no museu de arte : o Museum of Modern Art de Nova York e os anos Newhall no Departamento de fotografia; The legitimation of photography in the art museum : the Museum of Modern Art of Modern Art of New York and the Newhall years at the Photography Department

Diana de Abreu Dobranszky
Fonte: Biblioteca Digital da Unicamp Publicador: Biblioteca Digital da Unicamp
Tipo: Tese de Doutorado Formato: application/pdf
Publicado em 22/02/2008 PT
Relevância na Pesquisa
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O Departamento de Fotografia do Museum of Modern Art de Nova York foi fundado em 1940 e seu primeiro curador foi Beaumont Newhall. Através de exposições e aquisições ele e sua esposa Nancy - que o substituiu nos anos em que ele serviu nas forças armadas durante a Segunda Guerra Mundial - estruturaram esse que foi o primeiro Departamento de Fotografia independente em um museu de arte. A importância do fato está no apoio institucional que o meio fotográfico recebeu e que possibilitou o reconhecimento da fotografia como arte. Ao mesmo tempo, pouco antes de ser indicado curador, Beaumont organizou a exposição Photography 1839-1937, cujo catálogo transformou-se no conhecido livro The History of Photography. O processo que levou ao Departamento assim como o trabalho desenvolvido pelos Newhall no MoMA entre 1940 e 1946 é tema de nossa pesquisa.; The Photography Department of the Museum of Modern Art (New York) was created in 1940, and its first curator was Beaumont Newhall. With exhibitions and acquisitions he and his wife Nancy, who replaced him while he served the Navy during the World War I, structured this that was the first independent Photography Department in an art museum. The importance of this fact lies in the institutional support that established photography as an art form. At the same time...

Olha o que eu vi : vivência de fotografia com pessoas com deficiência visual; Look what I saw : the experience of photography with people with visual impairments

Maria Cecília Caxambu
Fonte: Biblioteca Digital da Unicamp Publicador: Biblioteca Digital da Unicamp
Tipo: Dissertação de Mestrado Formato: application/pdf
Publicado em 10/08/2012 PT
Relevância na Pesquisa
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A pesquisa trata sobre fotografia para deficientes visuais - indivíduos cegos e com baixa visão. Relatos na literatura mostram que a pratica fotográfica para deficientes visuais acrescenta experiências com as quais esses indivíduos anteriormente não tinham oportunidade de contato. O objetivo desta pesquisa foi investigar a relação de pessoas com deficiência visual com a fotografia. A partir da perspectiva dos participantes da pesquisa, nosso intuito foi apreender o que consideram significativo para a pessoa com deficiência visual, considerando como foco a fotografia. Buscamos entender como as falas sobre a produção fotográfica de interlocutores não deficientes (aquelas pessoas que descrevem as imagens para os deficientes visuais) encaminham novas possibilidades de compreensão das imagens. Os métodos usados no estudo foram trazidos de praticas de outros casos similares dentro desta temática, investigados durante o desenvolvimento do estudo, incluindo: observação de grupos e de exposições, atuação pratica e interlocução verbal com públicos especiais. Os resultados mostram que a associação entre a descrição verbal e o toque que segue a trajetória das linhas principais em relevo na imagem contribui para o acesso a fotografia...

How to do music with images: photography as a way of remembering, authorizing and materializing the musical heritage

Castro, Isabel; Sardo, Susana
Fonte: INET-MD, Universidade de Aveiro Publicador: INET-MD, Universidade de Aveiro
Tipo: Conferência ou Objeto de Conferência
ENG
Relevância na Pesquisa
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This work tries to explore how the use of photography can help map and rebuild the musical heritage of a community thus reversing the apparent static condition of a snapshot image. During the fieldwork that I developed between 2010 and 2012, with the Goan community settled in Catembe (Mozambique), photography has been an important element as a mediator in my relationship with Goans as well as a way of understanding issues often missing in oral discourse. Photography was, frequently, the starting point for descriptions of musical practices, festivals and rituals in which Goans participate or have participated in the past. I argue that photography could be a way of remembering, empower and materialize musical heritage in the context of migrant communities when the condition of deterritorialization fragilize ties with the past and with the place of origin. In this case photography can constitute a device, in the Foucault’s (2008) perspective, in providing means of memory restoration which, in this case, is transformed in music.

A apreensão do instante relações entre a literatura e fotografia; The apprehension of the instant relations between literature and still photography

SOUSA, Fábio D abadia de
Fonte: Universidade Federal de Goiás; BR; UFG; Doutorado em Letras e Linguistica; Linguistica, Letras e Artes Publicador: Universidade Federal de Goiás; BR; UFG; Doutorado em Letras e Linguistica; Linguistica, Letras e Artes
Tipo: Tese de Doutorado Formato: application/pdf
POR
Relevância na Pesquisa
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In this study, through a qualitative survey based upon a bibliographical research, we analyze the inter-relations between literature and still photography, with the intention of discussing the main aspects of resemblance between these two types of arts, apparently very different from one another. Based upon Susan Sontag s (2004) statement that photography is closer to poetry than to any other art, we investigate the historical and aesthetic developments that allow such relation. Our investigation shows that it was after the realistic movement and mainly after the consequences of the radicalization in the use of the literary image by the European avant-gard oriented writers and by the Brazilian modernist poets that the relation between literature and still photography becomes clearer. We analyze particularly a part of the literary production of the Brazilian modernist writer Oswald de Andrade that, through his instant poems or flash-poems , presents in his literature some imagetic characteristics that allow us to compare them to photographic images. But if it is possible to show in literature some photographic elements, an inverse situation can also be detected. That is what an analysis of part of the production of the Brazilian photographer Thomas Farkas may demonstrate...

Fotorhetorik; Rhetoric of Photography

Boerkey, Jeanne
Fonte: Universidade de Tubinga Publicador: Universidade de Tubinga
Tipo: Dissertação
DE_DE
Relevância na Pesquisa
37.18%
Die Arbeit geht der Frage nach, wie man sinnvollerweise von Fotorhetorik sprechen kann. Sie macht deutlich, daß es in der Fotografie ebenso wie in der Verbalsprache die Möglichkeit für den Autor gibt, eine Botschaft an den Rezipienten zu übermitteln. Dies geschieht in der Fotografie – ähnlich wie in der Verbalsprache - durch das Zusammenwirken verschiedener Ebenen sowohl im fotografischen Bild-Text als auch durch den Kontext. Der Forschungsbericht untersucht zunächst Beiträge zum Thema „Rhetorik“ in Bezug auf die Fotografie und auf Bilder im allgemeinen. Es handelt sich in der Forschung um stark restringierte Rhetorikbegriffe, die keinerlei umfassende Analyse der Fotorhetorik zulassen. Im Zentrum steht vor allem die Figuralrhetorik. Danach wird der Schwerpunkt auf die theoretischen Grundlagen der Fotorhetorik gelegt. Dabei steht eine Definition des fotografischen Bildes analog zum verbalsprachlichen Text im Vordergrund. Hier geht die Arbeit von den Grundlagen aus der Gestalttheorie zur Wahrnehmung des Bildes aus, danach rekurriert sie auf Forschungsgrundlagen besonders der Semiotik, der Kodetheorie und der Texttheorie. Mit Hilfe dieser Forschungsergebnisse, die die Arbeit auf das Foto anwendet, kann sie eine theoretische Definition des fotografischen Bildes leisten...

Experimentar la fotografía desde la ceguera. Una taller para “mirar y crear imágenes”; Experience photography from blindness. A workshop "to look and create pictures"

Peña Sánchez, Noemí
Fonte: Universidad de Alcalá. Escuela Universitaria Cardenal Cisneros Publicador: Universidad de Alcalá. Escuela Universitaria Cardenal Cisneros
Tipo: Artigo de Revista Científica Formato: application/pdf
SPA
Relevância na Pesquisa
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Acercar la imagen fotográfica a personas con discapacidad visual es la propuesta desarrollada con el colectivo de afiliados de la ONCE. La experiencia que presentamos corresponde al diseño de un taller fotográfico para leer y crear imágenes como un modo integrado para la comprensión visual. La relación entre fotografía y ceguera despierta interrogantes que ponen en evidencia la dificultad de superar ciertos conceptos aprehendidos culturalmente. Detenernos en comprender el significado de ceguera nos lleva a entender la estrecha vinculación que existe entre lo que percibimos y lo que pensamos. A partir del análisis de proyectos fotográficos de artistas invidentes comprenderemos que existen otros modos de pensar y de crear que amplían nuestra forma de concebir lo visual. De su estudio extraemos tres fases del proceso creativo que nos servirán para planificar nuestro taller. La realización del taller nos lleva a definir un posible enfoque didáctico sobre cómo aproximar la fotografía a personas invidentes. La experiencia didáctica refleja la importancia de entender la imagen a través del proceso creador secuenciando prácticas fotográficas que partan de los espacios de dominio y control de las personas ciegas y generen seguridad y confianza sobre sus capacidades para crear imágenes.; Approaching photography to visually impaired people is the proposal we have developed with members of ONCE (Spanish National Organisation for the Blind). This experience consists in a photography workshop involving reading and creating pictures as an interrelated way for a visual understanding. The relationship between photography and blindness raises questions that highlight the difficulty of overcoming certain concepts apprehended culturally. Studying the meaning of blindness helps us to understand the close connections that exist between what we perceive and what we think. Once we have analysed some photographic projects created by blind artists...

Sistemas de búsqueda y visualización en bancos de imágenes comerciales; Image retrieval and visualization systems in stock photography agencies

Perdices Castillo, Luisa; Perianes-Rodríguez, Antonio
Fonte: El Profesional de la Información Publicador: El Profesional de la Información
Tipo: info:eu-repo/semantics/publishedVersion; info:eu-repo/semantics/article Formato: application/pdf; text/plain
Publicado em /07/2011 SPA
Relevância na Pesquisa
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The advent of the Internet , digital photography, and the ability to scan large volumes of images has caused an important impact on the stock photography agencies. They have had to introduce substantial changes in their working process, and currently they are providing a large number of images online. The profile and the basic features that any stock photography agency must offer --such as image retrieval, on-screen visualization, and downloading for diverse editorial activities- are described.; La aparición de Internet, la irrupción de la fotografía digital y la posibilidad de digitalizar grandes volúmenes de imágenes ha revolucionado el sector de los bancos de imágenes comerciales. La transformación analógica en digital ha supuesto un cambio sustancial en el proceso de trabajo, pasando a disponer de una gran oferta de imágenes en línea. Este análisis mostrará el perfil y las características básicas que cualquier banco de imágenes comercial debe ofrecer a sus clientes en cuestiones tales como la recuperación de imágenes, su visualización en pantalla y su descarga para diversos fines editoriales.

Socio-Technical Perspectives on Digital Photography: Scientific Digital Photography Use by Marine Mammal Researchers

Meyer, Eric T.
Fonte: [Bloomington, Ind.] : Indiana University Publicador: [Bloomington, Ind.] : Indiana University
Tipo: Doctoral Dissertation
EN
Relevância na Pesquisa
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Thesis (PhD) - Indiana University, Information Science, 2007; This dissertation examines the intersection between technology and scientific practice for marine mammal scientists who use digital photography. Scientists studying marine mammals use a technique called photo-identification to identify individual animals such as whales and dolphins in the wild. This technique involves photographing the animals, and later matching these images to catalogs of previously sighted and identified individual animals. This information then contributes to understanding the population parameters, behaviors, and other information about the animals. These methods have been in widespread use since the 1970s; recently, however, most scientists in this field have switched from film photography to digital photography. This research demonstrates that this change, which seems at first glance to be a simple matter of swapping one three-pound piece of equipment loaded with film for another similar looking three-pound piece of equipment equipped with a digital sensor and computer memory cards, has had important consequences throughout this scientific domain. Some of these consequences were intended, others were unintended. Among the unintended consequences...

PHOTOGRAPHY & MODERN ARCHITECTURE. CONFERENCE PROCEEEDINGS

AA.VV.
Fonte: CEAA - CESAP/ESAP Publicador: CEAA - CESAP/ESAP
Tipo: Livro
Publicado em /04/2015 ENG
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Architecture and photography have maintained a close relation since the inception of the photographic field. Investigating the nature of this relations as well as identifying the fabric of their multidimensional dialogues constitutes an extremely rich field of research, one that has been gaining ever more relevance in actual agenda. Starting from CEAA’s currently unfolding research project – Photography, Modern Architecture and the 'School of Oporto', Interpretions around Teófilo Rego Archive (FAMEP) – this conference aims to understand possible configurations of the relations emerging from the fields of Architecture and Photography as well as from their respective histories and theories. It is therefore our propose to explore privileged relationships between photographers and architects, uses of photographic imagery and its associations with architecture, practices of architectural representation in their associations with photography and the appropriation of the photographic medium by the architect. Assemble a theoretical body of knowledge having for its foundations common arguments between architecture and photography – e.g. the cases of spatial issues or the use of light as a conceptual tool – as well as any case studies and different readings of architectonic and photographic experiments are also some of our goals.; This publication is co-funded with FEDER funds by the Operational Competitiveness Programme – COMPETE and national funds by FCT – Fundação para a Ciência e Tecnologia within the project Photography...

Photography as a participatory method in visual anthropology

Kurzwelly, Jonatan
Fonte: Universidade Autônoma de Barcelona Publicador: Universidade Autônoma de Barcelona
Tipo: Artigo de Revista Científica Formato: application/pdf
Publicado em //2012 ENG
Relevância na Pesquisa
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In this paper my goal is to theoretically ground, and discuss the possible uses of, participatory photography in social and cultural anthropology. However, before discussing photography, I consider the subjectivity of sight and make a claim of multiplicity of realities/perspectives I then briefly outline some previous statements on photography and its connection to reality and informational value. Then I propose a way of combining the theory of vision and perspectivism described earlier with theories of photography to create a new understanding of the informational value of photography. I will also briefly discuss the connection between language and photography. The second part of this essay first discusses several examples of visual participatory projects and some issues emerging out of them. Later I give an introduction to the project “Views from inside” which I conducted together with Maria Lebioda. I discuss several issues of participatory photography methodology and things that need to be taken into account while planning such projects. I provide examples of photos made during this project. The goal of this essay is to introduce a certain way of thinking about photography, and to discuss some aspects of it. It is not a complete manual...

Fotografia contemporânea e intersemioticidade; Contemporary Photography and Intersemiotic Appropriation

Bracchi, Daniela Nery
Fonte: Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas Publicador: Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
Tipo: info:eu-repo/semantics/article; info:eu-repo/semantics/publishedVersion; ; Formato: application/pdf
Publicado em 19/12/2011 POR
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This article aims at investigating the relationships between the pictorial and photographic systems that are present in the work of contemporary photographers such as Miguel Rio Branco. Since its invention, photography has been placed on dialogue with other visual media, especially the pictorial ones. From technical to semiotic perspectives, these images were initially understood in terms of their uniqueness and aesthetic similarities with painting, which made the blurry technique an important characteristic of the pictorial style in photography. In the 1920s, a necessary break occurs: photographers, such as Man Ray, begin experimenting with the expressive potential of photography. Such actions prepare the field for the emergence of the 1960s’ contemporary photography. By exploring the dialogue between visual systems, the work of artists such as Miguel Rio Branco motivates our research on the intersemiotic feature of contemporary photography. Expressive possibilities typical of photography, e.g. the photographic cut, coexist with investigations which are characteristic of the pictorial system. Miguel Rio Branco appropriates chromaticism to establish such dialogue among visual systems, dialogue which is here analyzed in a diptych by the photographer...

Content-based image retrieval and its benefits for the stock photography market

Padeste, Romano
Fonte: Rochester Instituto de Tecnologia Publicador: Rochester Instituto de Tecnologia
Tipo: Tese de Doutorado
EN_US
Relevância na Pesquisa
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The development of powerful low-cost desktop computer systems has changed the pre-press business where tight deadlines must be met per sistently. An increasing number of newspapers and magazines are acquiring, handling, and storing images digitally while the use of hardcopies and slides decreases. Today's computers and high capacity storage-media enable stock pho tography agencies to build digital image databases, giving users fast access to large numbers of images. However, the transition from analog to digital image archives imposes new problems: with thousands of images at hand, the search for a particular image may turn into the search for the needle in a haystack. The first image Database Management Systems (DBMSs) were extended text DBMSs, which stored the image data along with a set of manually entered descriptive keywords. The major problem with this approach is that there is no generally agreed-upon language to describe images. Even sophis ticated DBMSs are unable to detect synonyms; hence, an image described with certain properties such as "curvy" may not be found if a user enters "wavy" as a search criterion. Furthermore, some image properties are hard to describe with keywords. A search is likely to fail if properties were not described at the database population stage when images are added to the database. Finally...

Principles of peripheral photography

Davidhazy, Andrew
Fonte: Industrial Photography (January 1987); Ceramics Monthly (Febraruy 1986) Publicador: Industrial Photography (January 1987); Ceramics Monthly (Febraruy 1986)
Tipo: Artigo de Revista Científica Formato: 61208 bytes; application/pdf
EN_US
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This was published in Industrial Photography magazine and describes the basics of making peripheral photographs with a modified SLR camera and run-of-the-mill audio turntable.

High speed photography

Davidhazy, Andrew
Fonte: The focal encyclopedia of photography - edited by Leslie Stroebel and Richard Zakia ; illustrated by Wes Morningstar. Boston : Focal Press. Publicador: The focal encyclopedia of photography - edited by Leslie Stroebel and Richard Zakia ; illustrated by Wes Morningstar. Boston : Focal Press.
Tipo: Pré-impressão Formato: 71055 bytes; application/pdf
EN_US
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An overview of high speed photography originally prepared for the Focal Encyclopedia of Photography.

Special effects photography

Davidhazy, Andrew
Fonte: The focal encyclopedia of photography - edited by Leslie Stroebel and Richard Zakia ; illustrated by Wes Morningstar. Boston : Focal Press. Publicador: The focal encyclopedia of photography - edited by Leslie Stroebel and Richard Zakia ; illustrated by Wes Morningstar. Boston : Focal Press.
Tipo: Pré-impressão Formato: 66182 bytes; application/pdf
EN_US
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Summary of a variety of special effect techniques originally the basis for a special effects section in the Focal Encyclopedia of Photography. Includes things like Sabattier, matte-box, stroboscopic, kaleidoscopic, bas-relief, and many others.

Infrared photography

Davidhazy, Andrew
Fonte: The Focal encyclopedia of photography - edited by Leslie Stroebel and Richard Zakia ; illustrated by Wes Morningstar. Boston : Focal Press. Publicador: The Focal encyclopedia of photography - edited by Leslie Stroebel and Richard Zakia ; illustrated by Wes Morningstar. Boston : Focal Press.
Tipo: Pré-impressão Formato: 57169 bytes; application/pdf
EN_US
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Infrared photography is of interest to the amateur and commercial photographer and to scientists and technologists because it produces images that are not possible with conventional photographic films. In its practice there is not much difference between infrared and normal photography. The same cameras and light sources can usually be used, together with the same processing solutions. Infrared photography, however, is usually only attempted by skilled photographers, scientists, and technicians with a particular purpose in mind.

Exploring open-source data fusion methods to create low-cost georeferenced aerial photography

Corradina, Victoria T.
Fonte: University of Delaware Publicador: University of Delaware
Tipo: Tese de Doutorado
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Geiger, Cathleen A.; Aerial photography provides a valuable perspective that can enhance how we study and solve geographic problems. The basic science problem addressed in this thesis is the fusion of data and knowledge from different sources of information that represent different perspectives of the Earth. This thesis explores how the integration of digital photography with satellite imagery can create low-cost, high resolution images to complement both the temporal and spatial resolution of satellite imagery. Aerial photography is captured using a Helikite Aerostat and digital cameras. The Helikite is a cross between a kite and a balloon and is an inexpensive, portable platform that allows for a versatile approach to low-altitude aerial photography. Aerial photographs can be georeferenced using Ground Control Points (GCP) in a field site. GCPs provide links between the aerial photography and satellite imagery and are obtained by a refurbished 1984 TopCon survey instrument. Once georeferenced, these photographs can be integrated relative to Google Earth satellite imagery. The main goal of this thesis is to develop a low-cost, license free method that is functional in the Arctic. This thesis applies open-source algorithms, incorporating the Geospatial Data Abstraction Library (GDAL) to georeference aerial photography collected by a Helikite Aerostat and compares the result to ESRI commercial software. Commercial software methods are extremely useful for solving geographic problems...